A behind the scenes look at the making of Fractured Reality.

Artist Concept

My concept treats time as an integral material in shaping art. I focus on moments when familiar structures collapse and meaning must be rebuilt from what remains. I work from the belief that the only true moment of time is the one we inhabit now, not what once was or what could have been.

Fractured Reality is a surreal, fantasy-inspired fine art series that tells the allegorical story of a girl named Nem. For much of her life, Nem exists within a protected world, largely untouched by trauma or loss. When that protection fractures, she is forced into an unchosen confrontation with tragedy, grief, preservation, resilience, and eventual transformation. The series unfolds across sixteen chapters, following a narrative arc that traces Nem’s progression over time.

While Nem is fictional, the work is informed by lived experience, including cancer and divorce. Much of the photographic source material was captured during those periods, embedding personal memory, perspective, and lived time into the construction of the series.

Fractured Reality examines transformation as a process rather than a resolution. The work does not seek restoration or closure, but instead focuses on endurance, adaptation, and the accumulation of change over time. By presenting transformation as something carried forward rather than recovered, the series reflects on how personal histories and present choices shape future identity.

The work invites viewers to consider how stories persist after disruption, and how meaning continues to form when life no longer follows its expected path.

Artwork Technical Description

Fractured Reality was developed using a cinematic production methodology, treating the series as a cohesive narrative system rather than a collection of standalone artworks. With Emily Shubin serving as producer, the project began with scripting the overarching story and emotional arc that the central character, Nem, would travel through. This arc was divided into sixteen chapters, each written as a short script to establish narrative progression, emotional tone, and thematic focus.

To construct the visual world, I captured thousands of photographs across varied locations and environments throughout the globe. All principal photography was shot in RAW format using a Canon 5D Mark IV or Canon R5c with Canon L-series lenses, including a 35mm f1.4, 50mm f1.2, and 70–200mm f2.8, as well as Zeiss lenses including a Distagon 15mm f2.8 and a 100mm f2 Makro-Planar. These tools allowed for a wide range of spatial, emotional, and textural detail. Astera Titan tubes provided lighting support for in-studio work, while reflectors were utilized for field shoots. A GoPro Hero 7 Black was used for underwater photography to explore altered physical states, and a DJI Phantom 4 was used for aerial imagery to introduce scale, distance, and disorientation.

Test templates were assembled from these photographs as visual storyboards, then singer/songwriter, Halle Martin, was cast to portray Nem. Two studio test days were dedicated to refining lighting, movement, and emotional range, precluded by an underwater test session. A full production day was then used to capture a wide range of expressions, gestures, and poses that could be recombined to serve Nem’s psychological evolution throughout the series.

Post-production was an extensive, iterative process lasting approximately eighteen months. Each final chapter was constructed through a composite of my own original photography, digital manipulation, photo-derived textures, and hand-painted elements, with many chapters requiring the compositing of hundreds of individual photographic assets to complete a single work. Image processing and color grading were completed in Adobe Lightroom Classic, with final compositing and assembly executed in Adobe Photoshop.

At defined milestones, each chapter underwent internal “screenings” with trusted storytellers to assess narrative clarity and emotional coherence. Feedback informed multiple cycles of revision, allowing the work to evolve through sustained dialogue.

As a final stage, Fractured Reality was permanently inscribed onto Bitcoin as the largest fine art storytelling piece on-chain, occupying the entirety of Block 883,828. This technical decision positioned the project not only as a deeply personal narrative, but as part of an immutable system designed for long-term permanence.

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